Book DescriptionBringing together the analytical, aural, and tactile activities that comprise a tonal theory curriculum, The Complete Musician relies on a diverse repertoire and innovative exercises to integrate theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class. Key Features * Common practice literature is the driving force of the text and comprises the bulk of the harmonic dictation component. * Musical examples range from Schutz to Scriabin and from solo vocal and instrumental music to orchestral ensembles. They include popular and folk music. * Topics covered run the gamut from rudiments to compositional processes of the late nineteenth century. * Exercises are interspersed throughout and increase in pedagogical complexity, ranging from passive identification activities to active composition. * The CD packaged with each text includes more than 300 recorded textbook examples performed by students and faculty...

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