Emily Dickinson is today universally acknowledged as a poet of the high­est order. Writing apart from the mainstream of nineteenth-century poetry, she forged a poetic language of her own, transforming the domestic into the lyrical, creating an entire world from the micro­cosm of a leaf, a blade of grass, or a single metaphor. The startling originality of her work is what doomed it to obscurity during her lifetime. When Emily Dickinson died in 1886, only eleven of her poems had been published. Left behind was a body of work far more extensive than anyone had imagined - stacks and stacks of poems, tied together in packets with twine. Early posthumously published collec­tions of Emily Dickinsons verse - some of them featuring liberally "edited" versions of her poems - did not fully or accurately represent the poet's bold experiments in prosody, her tragic vision, or the range of her intellectual and emotional explo­rations. Not until the 1955 publication of THE COMPLETE...

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