Between about 1860 and the first world war, musicology became an academic discipline, practiced by scholars and supported by the university infrastructure. The decisive methodological change that allowed for this transition from mostly private scholarship to "academicization" was the declared adoption of the scientific method, especially in German-language music research. Among other "music scientists" like Hermann von Helmholtz and Friedrich Chrysander, the Viennese musicologist Guido Adler (1855--1941) is particularly important because, in 1885, he codified the research methods of this new academic discipline in the article "Umfang, Methode und Ziel der Musikwissenschaft" (The Scope, Method, and Aim of Music Science). Adler's methodological proposals have shaped musicological research habits since, perhaps most famously by separating what he calls "historical" and "systematic" musicologies. While his painting musicology as a science---and therefore as worthy of inclusion in the...

Под заказ:
	OZON.ru - 7467 руб.	Перейти

Рейтинг книги: 5 из 5, 6 голос(-ов).