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Totentanz, S. 126 - Study score
Liszt's dark paraphrase on the Gregorian chant "Dies irae" for piano and orchest...
Mephisto Waltz No. 2, S. 111 - Study score
Liszt's second Mephisto Waltz was originally composed for piano solo sometime be...
Die Ideale (Symphonic Poem No. 12), S. 106 - Study score
"Die Ideale" is the penultimate work of the revolutionary series of thirteen ton...
Hamlet (Symphonic Poem No. 10), S. 104 - Study score
"Hamlet", inspired by the well-known Shakespeare tragedy, is number ten in Liszt...
Hungaria (Symphonic Poem No. 9), S. 103 - Study score
The ninth in his ground breaking series of thirteen tone poems for orchestra, Li...
Heroide funebre (Symphonic Poem No. 8), S. 102 - Study score
Number 8 in his series of thirteen tone poems for orchestra, Liszt's "Heroide fu...
Festklange (Symphonic Poem No. 7), S. 101 - Study score
The seventh in his visionary series of thirteen tone poems for orchestra, Liszt'...
Mazeppa (Symphonic Poem No. 6), S. 100 - Study score
The sixth of the revolutionary series of thirteen tone poems for orchestra, Lisz...
Prometheus (Symphonic Poem No. 5), S. 99 - Study score
The fifth of Liszt's revolutionary series of thirteen symphonic poems, "Promethe...
Orpheus (Symphonic Poem No. 4), S. 98 - Study score
Liszt's fourth entry in his revolutionary series of thirteen symphonic poems, "O...
Les Preludes (Symphonic Poem No. 3), S. 97 - Study score
The third of the ground-breaking series of thirteen works composed for orchestra...
Tasso
The second in a ground-breaking series of thirteen works for orchestra, Liszt's ...
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