The television industry has metamorphosized from a national and largely-monopolized sector to a commercial and global enterprise. This has profoundly altered the way "historical truth" and shared memory are constructed and conveyed. Here Ashuri provides a groundbreaking study of the changes through the vantage point of an illuminating mode of television production, international co-productions. By taking an example based on current events in the Middle East--a television documentary on the Arab Israeli conflict co-produced by three television networks (BBC, PBS, MBC)--her study enriches contemporary media research, providing an unprecedented, behind-the-scenes look at the entire production process of a co-produced television history. She shows that making the documentary on the Arab-Israeli struggle turned into a war: a war over competing memories, interpretation, editing, and finally narration. Ashuria??s analysis of transnational documentary collaborations reveals inherent tensions...

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