Amazon.comScientists in the medieval and early-modern eras faced many obstacles to sharing their discoveries, among them the lack of organized, comparative collections of specimens. Such assemblages were almost exclusively in the hands of wealthy individuals, and scholars of more modest means had to content themselves with "cabinets of wonder," potpourris of natural curiosities whose message was often no more profound than "behold, death is near." One of the signal developments of the Victorian era, observes art historian Carla Yanni, was the building of great museums, accessible to both scholars and the interested public, to house large collections of fossils, minerals, and other relics of the natural world. Some of these museums, such as London's Pantherion, offered astonishing and sometimes fictitious spectacles: in the Pantherion, for example, "stuffed animals were staged in frightening battles," while a great artificial swamp filled with sculptures of dinosaurs ringed the...

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