Book DescriptionThe painted caves at Lascaux, France, contain some of the earliest surviving marks made by human hands. using these caves as his structure and a lexicon derived from the history of printing, derek beaulieu postulates that, despite the current age's reliance on the printed word, the art of mark-making is utterly cut off from its own ancestry. These are poems that suggest - indelibly, impressively - that how you write affects what you write. The result is a series of poems ? marvellous hybrids of visual, Language and lyrical poetry ? that are sure to impress.

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