The Italian composer and theorist Giovanni Battista Martini (Padre Martini, 1706-1784) was one of the most famous and respected music teachers of his time. J. C. Bach was among his pupils and Mozart held his work in high esteem. His compositions, standing midway between the Baroque and Rococo, are splendid examples of Italian music of his time. Formerly he was best known for his organ works and it is only in this century that attention has been drawn to his other instrumental works which, for the most part, remain in manuscript. The source of the present edition is contained on pages 23r-27r of an autograph score held in the Archives of the Civico Museo Bibliografico Musicale in Bologna, under the shelf mark HH-32. The manuscript bears the following title and date: Concerto a 4 con Violoncello Obblig. 1749. Although Martini treats the violoncello as a concertante instrument the soloistic material in the third movement is rather sparse. In order to make the performance of this...

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