CONTENTS: INTRODUCTION1. THE OUTER DEVELOPMENT OF THE MOVING PICTURES 3 2. THE INNER DEVELOPMENT OF THE MOVING PICTURES 21 PART I. THE PSYCHOLOGY OF THE PHOTOPLAY 3. DEPTH AND MOVEMENT 44 4. ATTENTION 72 5. MEMORY AND IMAGINATION 92 6. EMOTIONS 112 PART II. THE ESTHETICS OF THE PHOTOPLAY 7. THE PURPOSE OF ART 133 8. THE MEANS OF THE VARIOUS ARTS 155 9. THE MEANS OF THE PHOTOPLAY 170 10. THE DEMANDS OF THE PHOTOPLAY 191 11. THE FUNCTION OF THE PHOTOPLAY 215 It is arbitrary to say where the development of the moving pictures began and it is impossible to foresee where it will lead. What invention marked the beginning? Was it the first device to introduce movement into the pictures on a screen? Or did the development begin with the first photographing of various phases of moving objects? Or did it start with the first presentation of successive pictures at such a speed that the impression of movement resulted? Or was the birthday of the new art when the experimenters for the first...

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