A key idea of modernist architecture is that space should flow, uninterrupted, between inside and outside. An apocryphal story has Frank Lloyd Wright, at the threshold of Philip Johnson's Glass House, asking "Should I leave my hat on, or take it off?". Spatial relationships are central to all design. And increasingly today's graphic designer wears more than one hat, since the two-dimensional space of the printed page is no longer the only - or even the primary-focus of graphic design. Three- and four-dimensional physical and also virtual spatial environments now figure large in much contemporary design practice. This means that time and motion, as much as composition and proportion, are elements that the graphic designer needs to interpret, order and deploy. The art and writings of Barnett Newman, Donald Judd, Dan Flavin, Richard Serra and Robert Smithson have all expanded my own understanding of space, abstraction, place, time and motion, and of how we engage with and...

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