Book DescriptionAlthough most people do not speak of theater and Iran in the same breath, dramatic expression has always been a fixture of Iranian culture. Some 2500 years ago, kings and commoners alike were regaled by comic theater in the form of dance and mime, accompanied by music. The dancers often wore masks, a vestige of an earlier era when such dances were enacted as religious rites. Comic drama also took a slapstick form, in which social situations were lampooned and people ridiculed by imitatingtheir accents and behavior. Yet another ancient dramatic art was that of puppetry, now known to have exist much earlier than its attested date of about 1000 CE. Only glove and string puppets were popular in Iran; though briefly practiced, shadow puppetryfailed to win a following. Like comic dance and mime, narrative drama originated in religious rites. Over time, religious ceremony evolved gave rise to a popular secular epic tradition that was very popular in pre-Islamic Iran. The...

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