Questioning culturally predetermined consolidations of childhood experience, this study focuses on memory and affect on the verge of linguistic formulation. Fairy tale plots frequently function as cover-ups of a deeply rooted violence that expresses itself through sensibilities of the skin and in presymbolically charged cataclysms. In a narrative border zone, early linguistic and psychic events re-emerge with primordial force. Split into seemingly irreconcilable opposites, good and evil engage in warfare with each other; cannibalism and infanticide take hold of family life. In close readings of four newly translated, intricately interpersonal fairy tales related by the Brothers Grimm, this inquiry explores an utter frightfulness

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