This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Understanding what visual humour was and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression, politics and religion, Greek vases and fashion, market-driven production, proper and reprehensible behaviour, popular versus elite culture, carnival in situ, and the place of women, foreigners, workers, and labourers within the Greek city.

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