Andrew McRae examines the relation between literature and politics at a pivotal moment in English history. Looking at documents beyond literature, McRae argues that the most influential and incisive political satire in this period may be found in manuscript libels, scurrilous pamphlets, and a range of other material written and circulated under the threat of censorship. Crucially, satire provided resources through which contemporary writers could define new models of political identity and construct new discourses of dissent. This book will be of interest to political and literary historians alike.

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