Inspired largely by Leonardo's brilliant naturalistic work for the Sforza court in Milan, Lombard artists of the late fifteenth century began to use direct observation to investigate the natural world. This heritage was of considerable importance in northern Italian art for two centuries, finding its greatest expression in the works of Caravaggio and influencing the course of Baroque painting in Rome and eventually elsewhere in Europe. Painters of Reality identifies the salient characteristics of this naturalistic strand in Lombard art. Building on the scholarship of renowned art historian Roberto Longhi, the authors reexamine the subject in light of subsequent literature. Essays range from broad discussions of naturalism in Lombard paintings and drawings (including a fresh consideration of works by Caravaggio) to more specialized treatments of Leonardo's influence, the schools of painting centered in Brescia, Bergamo, Cremona, and Milan, and Caravaggio's most notable successors in...

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