Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn's timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes's Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as...

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