Man Ray found the surreal in the commonplace, particularly in the female form, and this has made his photography some of the worldA­s most accessible and recognizable: his ubiquitous La Violin dA­Ingres creates a cello from a womanA­s torso with the addition of curliqued vents inked on her sides; his classic image of shining cinematic tears glistening on a powdered cheek has been tucked into mirror frames all over the world. This collection of more than 130 pictures dated between 1920 and 1950 covers not only RayA­s work as one of the worldA­s leading avant-garde artists--he was a tireless experimenter who participated in the Cubist, Dadaist and Surrealist art movements--but also his commercial work. It includes fashion photography and advertising images; portraits of many artists, including Marcel Proust, Marcel Duchamp and AndrA" Breton; and a portfolio of 26 Femmes. Art dealer Giorgio Marconi, who met May Ray in 1966 in Milan, contributes an insightful interview.

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