Architecture today is first of all a social thing that results as much from a conflictive process as from the expression of a consensus. Conflicts are inevitable and necessary: the dynamic that springs from the contradictory dialogue of economic, cultural and social interests fits in with the project, imparts information to it and precludes its autonomy. But the production of space through the consensus that it establishes presupposes a will that transcends individuals. It bears testimony, at a given moment, to a shared cultural reality. This is what gives it its specificity, not a supposedly 'artistic' manipulation of shapes.

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