As the 1950s became the 1960s, a new generation of artists around the globe rejected direct painterly expression and returned decisively to the object. Moving away from abstract expressionism and toward the sensibility that would become Pop, these artists among them Raymond Hains, Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, and Robert Rauschenberg effectively established a new set of artistic paradigms that would influence the decade ahead. New Realisms: 1957–1962 maps this international field of artistic practice, showcasing more than 200 works by artists of the period. The title echoes the name of the French movement of the 1960s "Nouveau Realisme". Indeed, the work of the Nouveaux Realistes group anchors the book (and the exhibition it accompanies), but at the same time, New Realisms represents a wider range of related instincts, diversely expressed. The emphasis is on a constellation of activities in play before the new critical terms and categories of Pop Art were...

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