Taken against the Arcadian backdrop of her woodland home in Virginia, Sally Mann's extraordinary, intimate photographs of her children - Emmett, Jessie, and Virginia - reveal truths that embody the individuality of her immediate family and ultimately take on a universal quality. Mann states that her work is "about everybody's memories, as well as their fears." a theme echoed by Reynolds Price in his eloquent, poignantly reflective essay accompanying the photographs. With sublime dignity, acute wit, and a feral grace, Mann's pictures explore the struggle between the child's simultaneous dependence and quest for autonomy - the holding on, and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in Sally Mann's astonishing photographs.

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