In January 1964 Warhol moved his studio to East Forty-seventh Street and began to produce works in series, allowing him to create open-ended aggregations of boxes or canvases that could be combined, recombined, or left as single units. This volume of the catalogue raisonne reproduces the series "Thirteen Most Wanted Men"; seven distinct series of box sculptures, including "Brillo", "Heinz Ketchup", and "Del Monte Peach Halves", among others; the "Jackie Paintings", based on press coverage of the assassination of John F. Kennedy in 1963; a series of portraits, including 11 self-portraits; "Marilyn" and "Jackie" paintings of mid-1964, with which Warhol introduced a new procedure in the studio - painting in areas of local colour by hand; and the 1964 "Flowers" series, probably Warhol's earliest allusion to abstract painting. An important component of the source material in this volume is Billy Linich's rare photographs of works and people inside The Factory, as well as archival photos of gallery and museum installations showing original combinations of these serial works, and original newspaper clippings and silkscreen mechanicals. Whenever possible, catalogue entries attempt to record how and when a multi-canvas work came to be assembled in its present format. All works are reproduced in colour, with two-colour text that makes it easier for readers to find their way through the catalogue entries. These list for each work the standard data (dimensions, date, present owner, inscriptions and special notes), provenance, exhibitions and literature. Volumes are organized according to catalogue number, with works reproduced in numerical order, followed by the corresponding texts. this volume includes appendices documenting each of Warhol's solo museum exhibitions of the period, with a list of every work included in each exhibition. Additional reference material includes notes to the catalogue texts; a title index; and a comprehensive general index.

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