While rejecting a conception of literature as moral philosophy, or a device for imparting particular morals to the reader through exemplary characters and plots, Maryse Conde has displayed throughout her writing career a strong valorization of literature as ethical critique. This study examines her singular approach to literary commitment as a critical reworking of aesthetic models and modes of interpretation. Focusing on four dominant problematics in Conde's work-history and globalization in La Belle Creole and Moi, Tituba sorciere...noire de Salem , intertextuality and reception in La migration des cours and Celanire cou-coupe , trauma and subjectivity in En attendant le bonheur and Desirada , community and ethics in Traversee de la mangrove and Histoire de la femme cannibale -this analysis proposes to elucidate how, and to what ends, Conde engages, and alters, approaches to reading, staging the problematic, yet pragmatic, need to ...

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