Antonio Machado is, without a doubt, the father of modern Spanish lyric poetry: a bridge that stretches between Becquer, Ruben Dario and the generation of Jimenez, Lorca, Alberti, Guillen and Aleixandre. An early visit to Paris and an engagement with Symbolism, and its Spanish equivalent, modernism, in the shape of Ruben Dario, was to determine his course as a poet. Machado, however, unlike many of the French symbolists and perhaps because he was Spanish, never turned his back on common reality. Rather, reality and natural images were as sacred to him as mysterious cyphers, ?ickering shadows at the mouth of the Cave. He was a deeply humanitarian poet; he believed in human emotions and intuitions, and he was always opposed to the baroque in Spanish poetry because he saw it as cerebral or conceptual and therefore an inadequate means of receiving significance from the temporal ?ux in which human beings live. This fully bilingual edition of Machado's earliest mature work presents the...

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