This book identifies, presents and critically evaluates a corpus of films dealing with Arabs and Arabic themes produced in the United States during the silent era (1894-1930). Underlying and guiding this work is the premise that American (and Western) films dealing with Arabs took shape, functioned, and are ultimately better understood by reference to the encompassing and pervasive cultural system of Orientalism. Responding to the conditions and demands of Orientalism and reflecting a historically entrenched and confrontational attitude towards Arabs and their environment, these films share sufficient common themes, types, plotlines, motifs and a recognizable iconography to be considered as forming a distinct film genre, labeled here the "Oriental genre”. Although the author provides ample evidence for the lackluster verdict that a great number of these films were racist in treatment, colonialist in drive, and fantastical in their disregard for Arab realities, he takes the additional...

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