The Caribbean Novel since 1945 offers a comparative analysis of fiction from throughout pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, Michael Niblett considers the ways in which Caribbean authors have sought to rethink and renarrate the traumatic past and often problematic postcolonial present of the region's peoples. This work pays particular attention to how cultural practices, such as stickfighting and Carnival, and religious rituals and beliefs, such as Vodou and Myal, have figured in reshaping the novel form. Beginning with the post-WWII period, when optimism surrounding the possibility of social and political change peaked, The Caribbean Novel since 1945 interrogates the trajectories of various national projects. The scope of Niblett's analysis is varied and comprehensive,...

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