In The Girl Who Played with Fire, the second story of the Larsson trilogy, Lisbeth Salander, the protagonist, is shot by her father and buried by her half-brother. But at dawn, her hand rises from the grave. Stunning! Here it is: the rise of the wounded feminine despite patriarchy's destructive violence. Quiet Wisdom in Loud Times considers her attempted murder by a brutal father and her resurrection despite it, to be the resounding metaphor of our times: we are in a global crisis of an old order of the patriarchy that wants to maintain the status quo of wealth and power. Yet the feminine principle, so wounded by the violence against it, continues to rise up. The wounded feminine principle refers to both women and men. Women have come a long way since the 1960's, but that really isn't the whole story. In fact, the story is not even about women only. It is about men also. It is about something, in fact, beyond both men and women, and that is the rise of the wounded feminine soul...

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