English lyric poetry from Wyatt to Donne falls into three consecutive stylistic phases. Tottel's Miscellany presided over the first, making the lyrics of Wyatt and Surrey available for imitation by mid-century poets like Barnabe Googe, George Turberville, and George Gascoigne. The Shepheardes Calender and Sidney's Defense of Poesy ushered in the second, the Elizabethan or "Golden" phase of the 1580s and 1590s. In the third phase Donne and Jonson, reacting against the stylistic orientation of the Elizabethan poets, reconceived the status of "poesy" and resituated the lyric for a post-Elizabethan audience.Chapter 7 is shared between Donne ad Jonson, post-Elizabethan writers who used metonymy to subvert the metaphoric stance of Elizabethan poetry. In a postscript Hedley takes on the "metaphysical conceit" for a final demonstration of the explanatory power of Jakobson's theory of language.Professor Hedley uses the semiotic theory of Roman Jakobson to create stylistic profiles for each of...

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