""A highly original contribution to Mallarme studies. With an impressive command of primary and secondary sources, Mary Shaw demonstrates how musical and theatrical aims underpinned Mallarme's poetic endeavor throughout his career, and how these aims were central to the conception of his last, unfinished work, Le Livre."" ---Louis Marvick, University of Nevada ""Shaw's study goes a long way toward a balanced and reasoned understanding of what this monumental poet was trying to do: namely, redefine literature's function--- a social project whose consequences are still reverberating in the artforms of today."" ---Steven Winspur, University of Wisconsin Performance in the Texts of Mallarme offers a new theory of performance in the poetic and critical texts of Stephane Mallarme, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally...

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