Euripides' Medea, produced in the year that the Peloponnesian War began, presents the first in a parade of vivid female tragic protagonists across the Euripidean stage. Throughout the centuries it has been regarded as one of the most powerful of the Greek tragedies. McDermott's starting point is an assessment of the character of Medea herself. She confronts the question: What does an audience do with a tragic protagonist who is at once heroic, sympathetic, and morally repugnant? We see that the play portrays a world from which al order has been deliberately and pointedly removed and in which the very reality or even potentially of order is implicitly denied. Euripides' plays invert, subvert, and pervert traditional assertions of order; they challenge their audience's most basic tenets and assumptions about the moral, social, and civic fabric of mankind and replace them with a new vision based on clearly articulated values of his own. One who seeks for ""meaning"" in this tragedy will...

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