As well as being the most celebrated horror and fantasy writer of the modern age, Stephen King is a noted commentator on the genre, and some of his most intriguing writing includes studies of his great predecessors. The first story in the mesmerising collection of novellas which is Full Dark, No Stars bears the imprint of one of King's favourite writers, Edgar Allen Poe: it is the first-person confession of a murderer, in which he invites us not to judge him -- not unlike the narrator of Poe’s ‘The Tell-tale Heart’. King's protagonist, an unlettered farmer, does not relate his gruesome story in an elegant fashion. But King, of course, as well as being adroit at chilling our blood, has few equals at finding the right voice for his characters, whatever background they come from. That is precisely what happens here, as the farmer, Wilfred James, tells us how he planned the murder of his unsympathetic wife with the aid of his reluctance son. The murder itself has all the typical King flair for the macabre, but it is the steady unravelling of the killer’s plans that fascinates here – a theme that reappears in a grim tale involving a young woman's revenge on a man who raped her. As always with King's novellas, characterisation is strongly to the fore in these pieces, but the principle appeal of this form for the author would appear to be the opportunity to exercise his steely grasp of narrative technique, displayed in all the stories on offer here. These King novellas are perhaps something of a relaxation for the author after the massive The Dome; for readers, Full Dark, No Stars is a reminder that this is a writer for whom both long and short formats are firmly in his grasp.

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