Amiable young man and half-successful author sponsored by Sarah Bernhardt, Rostand became overnight with Cyrano de Bergerac a national hero, on-field decorated with the Legion of Honor. Sumptuous entertainment poetic silence military, historical piece that recalled both The Three Musketeers and the world of precious drama to a staggering virtuosity that seemed to relive the best of Ruy Blas, Cyrano easily conquered an audience tired of the theater ideas, cultural qu'enflamma patriotism of the author. "So it is a masterpiece over the world," wrote Jules Renard evening rehearsal. It should probably fall back a little, but only a little: although born in the harem of the most bourgeois bourgeoisie, Cyrano remains the most successful popular theater known to date and the last act, with its convent and leaves, is also an emotional final Verdi.

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