The analysis of electronic music both through its history, its social context as well as in terms of its instruments and supports, constitutes the backbone of this book. We have now decided to examine electronic music creation from the past ten years and its relationship to the visual arts. Similarly, it seemed indispensable to offer the reader a (non exhaustive) inventory of the terms supposed to characterize the many and varied aspects of this shifting terrain which is electronic music. The word sonic, which appears in the title, covers the research carried out either in a purely sound-based realm, or in the field of musical experimentation. This work does not tackle head-on the aesthetic issues linked to these creations, but deals rather with how they fit into our era. Thus, it looks into questions related to context, to the status of the work and the author, production processes, as well as questions concerning crossovers between the visual arts and electronic music. The various...

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