This is neither a history of theater, nor a book of set design, but rather an examination of the way in which theatre has changed our perception of the work of art and its place in the divide of what is visible and what is not. A definitive reflection on how subjectivities and a subjects place conform to an ideological and discursive framework. Featuring works by artists and critics including: Carl Andre, Antonin Artaud, Hugo Ball, Samuel Beckett, George Brecht, Marcel Broodthaers, Daniel Buren, Tadeusz Cantor, James Coleman, yvind Fahlstrm, Robert Filliou, Michael Fried, Ramn Gomez de la Serna, Dan Graham, Donald Judd, Mike Kelley, Marinetti, Vsevolod Meyerhold, Antoni Miralda, Robert Morris, Juan Muoz, Bruce Naumann, Tony Oursler, Michelangelo Pistoletto, Oskar Schlemmer, Isidoro Valcrcel Medina, Ben Vautier.

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