Throughout his creative career, James Coleman (Ireland, 1941) has dealt with questions such as reality, perception, representation and the construction of the image and identity. He approaches those subjects with works produced with a tangential use of video, film, projected images, theatre or performance. His installations are presented as stagings where the spectator-observer finds himself trapped in a net of tensions and impacts. They are no longer projections; they are not imprints or traces; they are realities, existences that occur in time, between forgetfulness and memory.

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