Book DescriptionThe sublime visions of Surrealist master Rene Magritte often began in a viewfinder. In this major study, the first of its kind, noted photography critic, author, and Magritte scholar Patrick Roegiers draws eye-opening connections between the artist's enduring paintings and his use of the emerging medium of photography, which he used as a hobby, as well as a serious component of his painting, and as an art in itself. Examining more than 200 previously unpublished photographs from Magritte's personal collection, Roegiers finds both important source material and illuminating biographical revelations. We see here pictures of friends--including the Belgian Surrealists Scutenaire, Nouge, and Mesens--and acquaintances, whom Magritte sometimes shot in stage-managed tableaux. We glimpse his family and especially his wife, muse, and model Georgette, posing whimsically and earnestly, as they decamp for Paris in 1927 and return to Brussels three years later. And perhaps...

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