The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late 20th century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture: Wallace Berman & His Circle, a catalogue to the exhibition organized by the Santa Monica Muesum of Art including previously unexhibited works by 52 artists. Anchoring this publication is Semina, a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, Semina is a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture, Semina Culture subtly...

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