A beautifully illustrated retrospective look at the sculptures of TurnerPrize-winning artist Alison Wilding, with a special focus on very recentworks Vanish and Detail and Tracking. Wilding belongs to a generationof sculptors whose work was seen, in the early 1980s, as being anotable departure from earlier practice. Her sculptures often consist oftwo separate elements, which suggest opposites such as positivenegative,male-female, light-dark. She sets up those contrasts with awide range of different materials, including copper, wood, beeswax,lead, galvanized steel, transparent plastics, silk, fossils, rubber andpaints. With essays by poet and curator Rod Mengham, artist SamPorrit and critic Judy Collins.

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